Herbert Whone

Another marathon art-work was given the title “Unpremeditated Masterpieces”, a set of abstract colour photographs taken between 1995 and 2002.  The title points to the fact that each image was seen as a masterpiece in its own right, without any human assistance, just seen and recorded immediately by the mechanical pressing of a trigger.  In this process I could scarcely claim much responsibility.  If I have an eye to see it is by the grace of God.  The only later interference was the placing of the images in twos according to their shape, colour and content.   Despite this, each image was seen as independently perfect.